- Well, it wouldn't be "Emily in Paris" without more bombs being
dropped right away. [light jazz music] Tonight is the premiere for
our season four part one of "Emily in Paris", and I'm very excited to be having it in Hollywood. It feels surreal that we
started this five years ago. [light jazz music continues] - This is mine and Lily's
first like big press tour working together. So this is our first big premiere tonight. Lily and I had conversations
about essentially wanting to celebrate her character, Emily's bold fashion sense and her use of pattern, with Lily's evolving personal style. That kind of led us towards
looking for something that was really like a marriage
of both of those evolutions. - This season, something that I love
about Emily's wardrobe is that we lean more into
monochromatic looks, still with the Emily twist
of mixing textures, patterns and prints, but just slightly more tailored and monochromatic. Tonight in true Hollywood
fashion, there's a little bit of glamour, but also a nod to Emily's monochromatic
black celebration. - I was kind of thinking about a lot of very classic glamorous
Hollywood moments with actresses throughout the
last, you know, century or so. We found this Armani gown that had this bold checkerboard pattern, but we said, "Okay, well what
if we did a version of that and made it monochromatic and kind of simplified it a little bit, but still embraced, you
know, the pattern and peplum and the silhouette of it?" - Just the way that it's
made is so beautiful and all the textures of it
reminded me so much of some of the intricacies of Emily's wardrobe and the fact that Emily was
afraid of black to begin with, but now she's embracing it
was a really exciting thing to kind of spin off of. [light jazz music continues] Oh, my team, my amazing team, Fiona Stiles and Gregory Russell. Fun story, they also got
me ready for my wedding. So they've been around through so many exciting
things in my life. This is what I love about our
team is that, first of all, I never look in the mirror. I literally never have
a mirror in front of me when they're doing me. I always just say like,
"What are your ideas? Cool, let's just play." I don't know, there's something
invigorating about having no idea what I look like and then
looking in the mirror after. - Well, the mood board is
just a collection of images that make you feel something. So some of those were quite polished and some were kind of rough and I wanted it to feel a
little more on the rough side. I mean, the skin will be really beautiful. There'll be an emphasis on the eye. I just don't like mood boards. I just like there to be
a window for opportunity. - We have an idea, we have the end sight in sight, but there's also the
opportunity to improv. - I mean, I think that's the reason why we all work so well together is that we all are like kind
of have built this pattern of doing glam. As we're going, as I'm like seeing how it like forms around
her face and stuff, that's when I start like adjusting. And I also like to like
improv, I guess, as Lily said. You have to wait and see. It's not more exciting anyways. [group laughs] [light music] - I think this season we pay attention to a lot more tailoring, a
lot more of a sophisticated, mature, vulnerable side of Emily, that I think in her clothing,
it's a little less is more and a little more European at heart. And I think that my style
has always been a little bit more European. I'm really excited to
be working with Andrew. This is actually our
first carpet together, so I'm really excited to
be collaborating as a team, and he has such a way about his style that's very sophisticated with an edge, and I think that that's where I'm at. I'm being a bit more bold in
my choices, but staying myself and that's like a fine line to tow. So I'm still finding it. It's an experiment. [light music] - We have like some really
beautiful jewelry from Cartier. I like to have a bit of
like a range, a curation and then, you know,
make some decisions like when you're in the moment. Yeah, maybe.
- Yeah. - Maybe then no. - Because sometimes you
can never tell which one goes in which direction. - [Speaker] Swap them.
- Swap them? - [Speaker] Yeah.
- There you go. - Her pumps are by Manolo Blahnik and you know, you just don't really have to say very much about that. - It's the first time I
saw myself in the mirror all dressed up like this, and it's been a minute for
an "Emily in Paris" premiere, so I feel like we're
going in hot. [laughs] [light jazz music] Alright, so I actually
have to get in the car because I think I'm the last one and I don't wanna be late. But it was so great getting
ready with you, Vogue. And we'll see you later. Thank you. [light jazz music continues]