Two teen heartthrobs, a dark Hollywood secret,
and allegations that will shake you to your core. Corey Feldman is about to reveal the
disturbing truth about his late friend, Corey Haim. From Charlie Sheen to Michael Jackson,
no one is safe from Feldman's explosive claims. But the most shocking revelation? It's
waiting for you at the end of this video. In the glittering world of 1980s Hollywood,
Corey Feldman and Corey Haim became the dynamic duo that every teen idolized. Known
as 'The Two Coreys,' their journey began on the set of the 1987 cult classic 'The
Lost Boys.' At just 14 and 15 years old, Feldman and Haim formed a bond that would define
their careers and change their lives forever. As they quickly ascended to stardom, Corey
Feldman and Corey Haim became the epitome of teen pop culture in the late 1980s, exuding
the era's "cool" with their rebellious, edgy personas. Their initial collaboration
in The Lost Boys was more than just a movie; it was the beginning of a dynamic partnership.
Directed by Joel Schumacher, The Lost Boys wasn't just another horror flick—it was
a genre-defining cult classic, combining horror and comedy in a story about teenage
vampires terrorizing a small California town. Feldman and Haim's portrayal of vampire hunters
showcased their unique charisma, a chemistry that resonated with audiences and propelled the film
to commercial success. Practically overnight, their on-screen bond transformed them into teen
idols. Riding the wave of The Lost Boys' success, "The Two Coreys" became more than just a duo;
they became a brand. Their fame skyrocketed, leading to more joint projects that solidified
their status as a beloved teen pair. In 1988, they starred in License to Drive,
a teen comedy that further highlighted their on-screen chemistry and impeccable
comedic timing. The movie was another hit, securing both critical acclaim and commercial
success, further cementing their appeal among young audiences. A year later, in 1989,
they reunited in Dream a Little Dream, a romantic fantasy that, despite mixed reviews,
became a cult favorite among their dedicated fans. However, as their careers soared, dark
clouds began to gather. By the early 1990s, both Feldman and Haim were battling
serious substance abuse issues that tarnished their public images and impacted
their work. Despite their immense popularity, the pressures of fame and the Hollywood
party scene began to exact a heavy toll. Corey Haim's struggles were particularly tragic.
His battle with addiction was well-documented, and he often spoke openly about his challenges
with substance abuse. Haim's early fame, coupled with the harsh realities of being a child
star, led to a downward spiral of rehab stints and relapses that severely damaged his career. His
later years were marked by a string of low-budget films that never recaptured the
magic of his early successes. Corey Feldman, too, faced his own demons. While
his struggles with addiction were less publicized, they were no less serious. Feldman’s
battles with substance abuse and legal issues culminated in a 1990 arrest for
heroin possession—a stark reminder of how far he had fallen. Determined to turn his
life around, Feldman eventually sought recovery and worked hard to distance himself from his
troubled past, hoping to rebuild his career. As "The Two Coreys" faded from the
spotlight, their subsequent collaborations, including Blown Away (1992) and Dream a Little
Dream 2 (1995), failed to capture the success of their earlier work. The once-beloved teen idols
became associated with stories of substance abuse and legal troubles, and their professional
standing in Hollywood suffered as a result. In the early 2000s, Feldman and Haim made one last
attempt to reclaim their former glory. In 2007, they reunited for the reality TV
show The Two Coreys on A&E. The series aimed to document their efforts
to rebuild their friendship and careers while dealing with the fallout from their
troubled pasts. The show offered a raw, often painful glimpse into their personal
struggles, particularly Haim’s ongoing battle with addiction and the tensions
that had strained their relationship. Despite a promising start, the show quickly
became a portrayal of their unresolved issues. On- and off-camera tensions escalated, leading
to a publicized fallout and a six-month hiatus between the first and second seasons. By the time
the second season aired, it was clear that their friendship was under immense strain, and their
attempts to rekindle their bond ultimately failed. Despite their on-screen estrangement, Feldman
and Haim managed to reconcile privately before Haim's untimely death. The two friends, who
had shared the highs and lows of Hollywood, made peace in the end. Feldman has since
spoken about the deep love he had for Haim, despite the hardships they endured
together. Their bond, forged in the intense world of child stardom, remained unique
and unbreakable, even as their paths diverged. Tragically, their reconciliation came too
late to save Haim from his ongoing battle with addiction. Despite his efforts to
turn his life around, Haim struggled with prescription pain medications. On March
10, 2010, Haim passed away at the age of 38. Although initially suspected to be an overdose,
the coroner later determined that Haim died of pneumonia, a condition exacerbated by his
weakened state from years of substance abuse. Following Haim's death, Corey Feldman
publicly expressed his grief and paid tribute to his lifelong friend. He spoke of the
immense pain of losing Haim and emphasized that he wished for Haim to be remembered not for his
struggles, but for the joy and talent he brought to the world. Feldman's heartfelt tribute
was a testament to the deep impact Haim had on those who knew him and the legacy he left
behind in the hearts of fans who admired him. SEXUAL ALLEGATIONS MADE BY FELDMAN In the years after Corey Haim's tragic
death, Corey Feldman has taken on a new role as an outspoken advocate, revealing the
dark side of Hollywood that he claims nearly destroyed him. Feldman has courageously
shared his experiences with sexual abuse, alleging that child exploitation is a
widespread, insidious issue within the entertainment industry. He has stated publicly
that he, too, was a victim of this abuse, enduring trauma at the hands of multiple
men during his time as a child actor. One of the first individuals Feldman accused
was someone he initially referred to as "Ron Crimson." Feldman later unmasked this
alias, revealing the man behind it as Cloyd Jon Grissom—an actor and former
personal assistant to Feldman's father. According to Feldman, Grissom not only
molested him but also played a pivotal role in introducing him to substance
abuse at a disturbingly young age. Feldman recounted these harrowing experiences
in his 2013 autobiography, Coreyography, offering a raw and detailed account of the abuse
he suffered and its devastating impact on his life and career. But Grissom was not the only figure
Feldman named. He also accused other prominent Hollywood insiders, including child agent Marty
Weiss and Alphy Hoffman, a former talent agent and owner of a notorious underage club in
Hollywood known as "Alphy’s Soda Pop Club." This club, a hotspot in the 1980s,
was frequented by many young actors, including Feldman and Haim. Feldman has claimed
that Hoffman sexually assaulted him during his time there. These revelations have not come
without controversy. When Feldman appeared on The View in October 2013 to promote Coreyography,
his comments about widespread child abuse in Hollywood were met with strong pushback.
Barbara Walters, one of the show’s hosts, accused Feldman of damaging the entire industry
with his allegations, igniting a fierce debate. Despite the criticism, Feldman’s claims gained
traction due to the fact that some of the men he named, such as Marty Weiss, had already
been accused or even convicted of similar crimes. Undeterred by the backlash, Feldman has
continued his mission to expose what he describes as a hidden network of abusers in Hollywood.
The Harvey Weinstein scandal in October 2017 renewed interest in Feldman’s efforts, prompting
him to launch an ambitious Indiegogo campaign. The campaign aimed to raise $10 million to fund
a documentary-style film that would chronicle his life and bring to light the abuses he and other
child actors endured. Feldman’s goal was to use the film as a platform to reveal the identities
of his abusers and shed light on the systemic cover-ups he claims are endemic to Hollywood.
While the campaign garnered significant attention and support, it also attracted skepticism.
Critics questioned the hefty fundraising target and Feldman’s decision to expose his abusers
through a film rather than through legal channels. Nonetheless, Feldman defended his approach,
arguing that the documentary would not only serve as a powerful exposé but also as a crucial
tool in raising awareness and preventing future generations of child actors from facing the
same horrors he and Haim experienced. Beyond his efforts in filmmaking, Corey Feldman has also
taken his advocacy to the legislative arena. In March 2018, he stood before lawmakers
at the New York State Capitol in Albany, passionately speaking in support of the Child
Victims Act. This vital piece of legislation sought to extend the statute of limitations
for civil claims related to child sex abuse, offering a one-year window for survivors to
bring forward claims that had previously been barred. Feldman’s involvement in this movement
underscored his commitment to not only telling his story but also fighting for justice on
behalf of all survivors of child sexual abuse. FELDMAN’S 2020 DOCUMENTARY, MY TRUTH In 2020, Corey Feldman released a controversial
documentary titled My Truth: The Rape of Two Coreys. This film dives deep into the friendship
between Feldman and his late co-star Corey Haim, while making explosive claims about the
sexual abuse they both allegedly suffered as child actors in Hollywood. One of the
most shocking allegations in My Truth is that actor Charlie Sheen raped Corey Haim when
Haim was just 13 years old. According to Feldman, the assault took place on the set of the 1986
film Lucas, where Sheen and Haim both starred. This claim was not new; it echoed a previous
allegation made in 2017 by actor Dominick Brascia, who told the National Enquirer that Sheen had
raped Haim during the filming of Lucas. In My Truth, Feldman sought to further corroborate
this claim. Feldman’s ex-wife, Susie Feldman, and his Lost Boys co-star, Jamison Newlander, both
supported Feldman’s assertion in the documentary. They backed Feldman’s claims by sharing their
experiences and interactions with Haim, suggesting that Haim had confided in them about the abuse
and that it had a profound impact on his life. In response to these renewed allegations, Charlie Sheen vehemently denied the claims through
his publicist, labeling them as “sick, twisted, and outlandish.” Sheen has consistently maintained
his innocence, asserting that the accusations are entirely fabricated and that he never had any
inappropriate interactions with Corey Haim. Adding to the complexity of the
situation, Corey Haim's mother, Judy Haim, publicly disputed Feldman's allegations
against Sheen. During appearances on The Dr. Oz Show and in an interview with Entertainment
Tonight, Judy Haim insisted that her son was not raped by Charlie Sheen and claimed
the allegations were "made up." Instead, she pointed to Dominick Brascia as the person
who had abused her son. Judy Haim stated, “This guy Dominick is the one who
abused my son. My son said so.” Brascia, on the other hand, denied Judy
Haim's allegations in an interview with Perez Hilton. He expressed shock at the
accusation, stating, “It’s totally not true. I’m as shocked as anyone else
[as Haim] was one of my good friends; I knew him for over 25 years.” Brascia’s denial
further entangled the web of accusations, counter-accusations, and denials that have
surrounded Corey Haim’s story for years. Judy Haim shared a harrowing account of the
abuse her son allegedly suffered at the hands of Dominick Brascia. She recalled that Feldman
had introduced Haim to several people in the industry when they were young actors navigating
the early stages of their careers. Among these individuals was Brascia, who became part of
Corey Haim's social circle during the 1980s. Judy Haim's account centers around an incident
she claims occurred at Brascia’s apartment in Studio City, California, where he lived near
the Haim family. Corey Haim and his friends would often visit Brascia’s home to hang out,
watch TV, and play pool. These gatherings seemed innocent enough, but Judy alleges they became
the setting for something far more sinister. Judy recounted a specific day when she
received a frantic phone call from Corey Haim, who was yelling and screaming in a panic. Her
son told her that Brascia was allegedly on top of him and wouldn’t let him go. Alarmed,
Judy rushed over to Brascia's apartment, where she says she found Brascia, fully
clothed, pinning Corey to the floor, refusing to let him move. Judy
vividly described the moment: "Dominick was sitting on my son, pinning
him to the floor, not allowing him to move." To protect her son, Judy grabbed a
pool cue and aggressively confronted Brascia. She recalled the intense moment, stating, "I took a pool cue and he will remember that
— and I went so close to his head and I said: ‘You better get off of him or I’m bashing your
head in.’” According to Judy, this confrontation was enough to make Brascia release Corey,
allowing them to leave the apartment safely. Judy Haim further alleged that this wasn’t the
only incident of abuse. She claimed that Corey had been sexually abused by Brascia on at least one
other occasion in that same apartment. However, she didn’t provide further details
about the additional instance, possibly out of respect for her son’s
memory or due to the pain of recounting such traumatic experiences. Her allegations
suggest a pattern of predatory behavior by Brascia, who took advantage of his
closeness to Corey and his friends. Judy has expressed frustration over the tendency
of the media and the public to blame parents for failing to protect their children from
predators in the entertainment industry. She posed a series of rhetorical questions
to highlight the difficulties parents face: “The industry or the media always tends
to blame a parent. You know what? You can watch them as much as you can watch
them. But what are you going to do, go out with a 16- or 17-year-old to every
single party, to every single movie?" Judy emphasized that the risks aren’t always
apparent and that predators can exploit seemingly safe situations. She illustrated this with
a hypothetical example: "It’s the same thing on set. What if a producer wants to read lines in
the trailer? … It’s a really tough situation." Her comments underscore the challenge of constantly
supervising a teenager, especially one active in an industry where adults and minors frequently
interact in private or semi-private settings. She noted that the incident at Brascia’s apartment happened when Corey went to play
pool with a whole bunch of boys, a situation that might not typically raise alarms
for a parent. But as Judy emphasized, “one day, this is what happened to him.” Her remarks suggest
that no amount of vigilance can fully protect a child from harm in an environment where abuse
may be pervasive and hidden behind closed doors. When asked why her son never spoke out about
the abuse, Judy Haim emphasized the deep-seated reasons that kept Corey silent. According
to her, Corey "kept it [secret for] so long because he didn’t want to talk about it.”
This reluctance is common among survivors of sexual abuse, who often face overwhelming fear
of judgment, disbelief, or further victimization. Judy elaborated on the fears
that plagued her son, stating, “He didn’t want people to think he was gay or say
it was his fault.” This statement reflects the intense stigma surrounding male survivors
of sexual abuse. In a society that often misinterprets or dismisses the abuse of boys and
men, Corey feared being mislabeled or having his experience trivialized. The pressure to conform
to traditional notions of masculinity, combined with the stigma surrounding male sexual abuse,
contributed to Corey’s decision to stay silent. Judy recalled a conversation where Corey expressed
his desire to keep the trauma private: “He said, ‘Mom, somebody hurt me, I don’t need to
hurt them back. I need to take this to my grave.’” This quote reveals the inner
turmoil Corey faced and his resolution to carry the burden alone. It reflects a painful
reality for many survivors who struggle with whether speaking out will lead to justice or
more pain and misunderstanding. For Corey, the shame and fear of public scrutiny seemed to
outweigh the benefits of revealing his story. Judy Haim also spoke about the emotional weight
Corey carried due to his abuse. “The memory of the experience has to be horrifying,” she said,
describing the trauma that survivors live with. Beyond the immediate horror, survivors
often deal with complex feelings of guilt and shame. Judy reflected on the
challenges Corey faced: “Then the guilt, and the shame, and what are other people
going to think? It’s a horrible thing.” Judy pointed out that while society urges victims
to speak up—telling them to confide in a parent, a teacher, or a social worker—the reality is
far more complicated. “It’s not easy,” she emphasized. The societal pressure to "move on"
or "get over it" can further silence survivors, reinforcing the harmful belief that they
are somehow responsible for their abuse or that their pain isn’t valid. Judy Haim didn’t
hold back when discussing Dominick Brascia, whom she believes was one of her son’s abusers. When asked what she would say to Brascia
today, her response was direct and unflinching: “Admit it.” She urged him to confront his
actions, saying, “You know the truth. You know what you did.” Judy’s plea is not just
about seeking justice for her son but also about preventing future harm. She expressed hope
that Brascia hadn’t victimized others and implored him to “do the right thing for others, please.”
Her appeal highlights her broader concern for the safety of potential victims and reflects
her desire for accountability and healing. Reflecting on her son’s life, Judy Haim expressed
profound regret over allowing Corey to pursue acting in Hollywood. She was candid in her
assessment: “If I could do it all over again, I would ‘definitely not’ have allowed Haim
to pursue acting in Hollywood.” Instead, she envisioned a different life for
her son, one far removed from the pressures and dangers of the entertainment
industry. “He would have been in school, in Toronto, with his friends, playing
hockey like he loved,” she said. Judy’s reflections suggest a deep disillusionment
with Hollywood, which she described as an environment fraught with risks for young
performers. She argued that if children are to be involved in acting, it should be under conditions
that prioritize their safety and well-being: “[It’s] not a good idea to put these young
kids in these movies in Hollywood. Do it in the summertime, let them go to school, don’t go
to Hollywood.” This sentiment speaks to the need for systemic changes within the industry to better
protect young actors from exploitation and abuse. Beyond seeking justice, Judy Haim expressed a
heartfelt wish for her son’s memory. She spoke of Corey as a good kid with great talent, lamenting
how his life has been overshadowed by scandals. “A lot of people who knew him
well knew his heart,” she said, emphasizing that Corey was more than just the
sum of his struggles. Judy’s hope is that her son’s story can be respected and that he
can finally rest in peace, free from the speculation and scrutiny that have persisted long
after his death. “It wasn’t someone’s business to say he was raped. … That’s a disgrace,” she
stated. Her words reflect a mother's desire to protect her child’s dignity, even in death,
and a call for empathy toward victims of abuse. FELDMAN’S FRIENDSHIP WITH MICHAEL JACKSON Feldman’s accounts of Haim’s abuse differ
significantly from the narrative presented by Haim's mother, Judy, creating a stark
contrast in their versions of events. Meanwhile, Feldman’s relationship with Michael Jackson,
another controversial figure, adds complexity to understanding Feldman’s perspective on mentorship
and abuse within the entertainment industry. Feldman met Jackson as a child star, and they
developed a close friendship during his childhood and teenage years. In his memoir Coreyography
and various interviews, Feldman consistently describes his experiences with Jackson in a
positive light. He wrote about how spending time with Jackson was comforting and joyful:
"Michael Jackson's world, crazy as it sounds, had become my happy place... When I was with
Michael, it was like being ten years old again." Feldman’s portrayal of his relationship with
Jackson contrasts sharply with the abuse he has recounted from others in Hollywood. While
Feldman has been open about the sexual abuse he suffered at the hands of various industry
figures, he has always maintained that Jackson never touched him or behaved inappropriately.
Feldman described Jackson as a safe haven during a tumultuous period, someone who provided
normalcy and friendship. Feldman’s admiration for Jackson appeared rooted in genuine
gratitude and positive childhood memories. Despite the positive portrayal, Feldman's
friendship with Jackson ended on a sour note in 2001. According to Feldman, the rift occurred
because Jackson wrongly believed Feldman would portray him negatively in an upcoming book. This
miscommunication led to a fallout between them, with Feldman feeling betrayed and abandoned.
He claimed that on September 11, 2001, Jackson went out of his way to help friends
like Marlon Brando, Elizabeth Taylor, and Liza Minnelli evacuate New York City,
but did not extend the same help to him. Feldman responded to this perceived slight by
releasing the song "Megalo Man," which included pointed lyrics directed at Jackson: "I believed
in your words/I believed in your lies/But in September in New York/You left me to die/I love
you, Megalo Man." This song and Feldman's account of the end of their friendship reflect feelings
of betrayal and disillusionment with someone he once saw as a mentor. This falling out may
have influenced Feldman’s later reflections on his relationship with Jackson, especially
as new allegations against Jackson emerged. In February 2005, during Michael Jackson's
highly publicized child molestation trial, Feldman was subpoenaed to testify against
Jackson. Although he ultimately did not testify, the experience prompted him to reassess his
relationship with Jackson. Feldman stated, "I started looking at each piece of information,
and with that came this sickening realization that there have been many occurrences in my life and
in my relationship to Michael that have created a question of doubt." While Feldman continued to
assert that Jackson never molested him, he did recall an incident from when he was around 13 or
14 years old that made him reconsider as an adult. Feldman recounted that Jackson once showed him a
book focusing on venereal diseases and genitalia, an incident Feldman later viewed
as inappropriate. As an adult reflecting on this event, Feldman considered
Jackson's behavior questionable. However, he also suggested that Jackson may have
been trying to be “parental” toward him, considering Feldman lacked guidance at the time.
This nuanced reflection shows Feldman's internal conflict about his friendship with Jackson and
the complicated legacy Jackson left behind. Despite the complexities and their fallout,
Feldman chose to honor Jackson after his death in 2009. He dedicated a Los Angeles
hospital concert with his rock band, Truth Movement, to Jackson. This
act of dedication suggests that, despite their rift and Feldman's mixed feelings
about certain aspects of Jackson's behavior, Jackson still held a place of respect
or sentimental value in Feldman’s heart. Corey Feldman's public stance on Michael Jackson
and the molestation accusations against him has evolved over the years. Initially, Feldman
defended Jackson, emphasizing that Jackson never acted inappropriately toward him and implying
that accusations against Jackson were part of a broader effort to distract from Feldman’s
claims about Hollywood abuse. However, after the release of the Leaving Neverland documentary
in 2019, Feldman expressed conflicted feelings. While he initially criticized the documentary as
"one-sided," he later stated he could "no longer defend" Jackson, acknowledging the importance of
taking abuse allegations seriously. Despite this, Feldman clarified that his personal
experiences with Jackson were positive and "pure," highlighting his difficulty
reconciling his memories with the allegations against Jackson. Feldman’s evolving viewpoint
illustrates his struggle to balance personal loyalty to Jackson with his advocacy for
abuse victims, reflecting the complex emotions and ethical considerations involved when
confronting accusations against a former friend. Feldman’s journey through Hollywood,
marked by both light and shadow, offers a deeply personal perspective on
the complexities of mentorship, friendship, and survival in an industry fraught
with challenges. His evolving views on figures like Michael Jackson highlight the
difficulties in reconciling the past with new revelations and the importance of standing
by the truth, no matter how difficult. And speaking of confronting the truth, if you
want to see another intense celebrity encounter, make sure you don’t miss our next video: "At
69, Denzel Washington FINALLY Confronts Oprah Winfrey." Click on the video appearing
on your screen right now to watch Denzel open up in a way you’ve never seen
before. You won’t want to miss it!