O JOAQUIN PHOENIX ODEIA TODAS AS PESSOAS… exceto UMA

congratulations and cudos to you outstanding performance thank you do you think of this as your dream role no there's your answer look at that no can you tell me a little bit about what research or what kind of uh what you did to prepare for this cuz this was really an intense performance um what was kind of the process of getting into that mindset is this old news isn't this old news didn't I didn't I I feel like I've talked about this for 6 months speeding down 21st or 23rd Avenue in Portland very very fast I mean 20 um I don't know what else I did I can't remember it was a year ago what else did we do um I think he for this for this no I meant for this yeah yeah we're placing me in there um and sort of as Todd was saying it was sort of a very um okay little we had a little uh bat or something do you remember this I I I I this is from the 76 Venice International Film Festival uh recently you dropped out of a Todd haes film shortly before shooting um can you tell us what happened there and why did you depart that film and it just doesn't feel like that would be right I'm not sure so I just I don't think I [Music] [Applause] will hi hi everyone um uh and you know that's part of why I I love to to create um we rehearsed for uh a couple months and then uh like 10 days before we shot it we just radically altered Stephanie me Stephanie I can't sorry Stephanie uh um um she not familiar with microphones Str uh I would say working with Wen was a total Breeze [Laughter] um I think the the the Walt is a it's a good example of what down [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] w [Music] [Applause] [Music] [Applause]