Joker 2 Has Critics Completely Divided

Published: Sep 04, 2024 Duration: 00:03:41 Category: Entertainment

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Joker 2 seems to be twice as controversial  as the original . . . at least as far as   the reviews are concerned. Here’s what the  critics are saying about “Joker: Folie à Deux.” "Joker" is one of the darker comic movies  out there, not to mention one of the more   polarizing ones. The Clown Prince of Crime's  first solo outing foregoes the crowd-pleasing   thrills of superhero flicks in favor of a  serious character study about Arthur Fleck   and his disturbing descent into madness. So, when  it was confirmed that "Joker 2" was going to be   more controversial as a result of mixing mayhem  with musical elements, fans were intrigued to   see what director Todd Phillips came up with.  "Joker: Folie à Deux" has finally premiered   at the 81st Venice Film Festival, and — as  most of us expected — it's divided critics. “Let’s give the people what they want.” "Joker: Folie à Deux" sees the titular villain  and Harley Quinn fall in love through their   mutual love of music and wickedness, giving  us a twisted romance for the ages. Meanwhile,   in Gotham, the Clown Prince's followers hatch  a plan to free him from Arkham State Hospital   so that he can continue his reign of terror  in the city. That's an intriguing premise,   and some critics believe that the film lives  up to the hype. As Matthew Turner of NME wrote, "[Phillips has] delivered the  last thing anyone expected:   a socially responsible Joker  movie that finds an intriguing   way to explore the consequences (both  on and offscreen) of the first film." That said, "Joker 2" was always  going to attract a few naysayers,   and some reviewers don't recommend it at all. Regardless of your views on the first  movie, many fans think that Joaquin   Phoenix ranks among the best on-screen Jokers.  He doesn't disappoint in this outing either,   and David Rooney of The Hollywood  Reporter believes that he has great   on-screen chemistry with  his main co-star, writing, "[Lady] Gaga is a compelling live-wire presence,  splitting the difference between affinity and   obsession, while endearingly giving Arthur  a shot of joy ... Their musical numbers,   both duets and solos, have a vitality that  the more often dour film desperately needs." Empire writer John Nugent also praised  the chemistry between Phoenix and Gaga,   noting that they manage to add some  sentimentality to their characters' bad romance. "As sweet and beguiling a musical romance as  it's possible to have between two murderous   psychopaths. Its kooky approach won't  suit all stripes of comic-book fan,   but it finds a strange, tragic  hopefulness all of its own." “That’s what we should be talking about.” "Joker: Folie à Deux" also explores some of the  social issues that informed the first film, with   some critics praising the sequel for doing so in a  compelling way. Geoffrey Macnab of The Independent   described it as a shocking and unsettling  depiction of urban life in modern America — a   world where cities are on the verge of chaos at  all times. That description makes "Joker 2" sound   quite exciting, but don't jump to conclusions  until you've read the opposing viewpoints. The decision to make "Joker 2" a jukebox  musical suggests that it's one of those   left field sequels that swings for the fences  and takes risks. However, some critics argue   that it's quite tame and doesn't go as far as  it should. Owen Gleiberman of Variety wrote, "Joker: Folie à Deux may be ambitious  and superficially outrageous,   but in a basic way it's an  overly cautious sequel.” Similarly, The Times critic Kevin Maher believes  that "Joker 2" is a slog that doesn't do much   to break free from its predecessor, or  other movies, for that matter, writing, "Phillips and co. smashed back  into the self-contained world,   shook all the contents out onto the carpet and...  had another go. The result? Messy, lifeless,   derivative and exactly what you'd expect from a  film that simply doesn't want, or need, to exist." Alison Willmore of Vulture blamed the  film's sluggish qualities on the writing,   stating that Arthur Fleck is the least interesting  part of the story. The reviewer also argues that   Gaga's talents are wasted by making her  play second fiddle to such an uninspired   character. Despite this, Willmore praised  Joaquin Phoenix for putting his all into   playing such a tormented villain, even though  he didn't have great material to work with.

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